“Simon Peers explains the spectacle before us. ‘If we hadn’t made this permanent, this silk would be webs in the wind. That’s part of the magic. Something so ephemeral and yet somehow we’ve managed to capture it.'” (24)
The Oregon College of Art and Craft (OCAC) Thesis students are putting on a group show of their own in downtown Portland, Oregon(Friday, May 18, 2012 from 6-10 pm on the corner of NW10th Avenue and Hoyt in the Pearl District).
This is a very important event for our students. Each thesis student has spent the past year creating a body of work, and this final exit show is an opportunity to display their work as an entire group, and, to a broader group visitors. You can show your support by visiting the following site (which has more details and examples of the students’ work): http://ocac2012.weebly.com
More information here: http://blog.oregonlive.com/my-portland/2012/05/ten_four_2012_ocac_exit_show_5.html
Where: Ten Four (formerly the Attic Gallery) | NW 10th Ave. and Hoyt
When: May 18th, 6 – 10pm. Runs through May 31st (11am – 7pm, Tuesday – Sunday).
Phone: 503 297-5544
Buy local and support Portland’s emerging artists at the annual Oregon College of Art and Craft Spring Art Sale. Explore the functional, inventive and sculptural ceramic, book arts and fibers pieces, as well as the affordable, limited edition original jewelry created by OCAC students.
Organized by faculty, students and alumni, the sale proceeds fund the participating student artists, visiting artists, and the purchase of studio equipment.
Admission is free and open to the public.
Where: Oregon College of Art and Craft | 8245 SW Barnes Rd.
When: Saturday and Sunday, May 19th and May 20th.
Phone: 503 297-5544
OREGON COLLEGE OF ART AND CRAFT GRADUATION COMMENCEMENT
Public Reception 2:30pm-4:30pm
The Board of Trustees of Oregon College of Art and Craft is pleased to announce commencement exercises for the graduating class of 2012 at the Jean Vollum Drawing, Painting and Photography Building on the OCAC campus.
Johanna Branson | Commencement Speaker
Johanna Branson was graduated fromWellesleyCollegewith a B.A. in art history; she received a PhD in the same field from Brown University in 1976.
Dr. Branson has published widely on modern and contemporary art. Special projects have included Seeing Through “Paradise”: Artists and the Terezin Concentration Camp, an international exhibition and catalogue; Homeland: Use and Desire, an exhibition of contemporary art from the American southwest; and essays on topics ranging from Kara Walker to Huynh Phuong Dong, a Vietcong artist and soldier.
Dr. Branson spent her professional career at the Massachusetts College of Art, first as Professor of Art History, and then as the Senior Vice President for Academic Affairs.
Dr. Branson is currently a Fellow of the National Association of Schools of Art and Design, and continues to serve as an accreditation team chair. She is also a consultant and speaker on various topics in higher education, art, and design.
Where: Oregon College of Art and Craft, Jean Vollum Drawing, Painting and Photography Building | 8245 SW Barnes Rd.
When: Saturday, May 19th, 12pm (invitation only) 2:30 – 4:30 Public Reception | Free!
Phone: 503 297-5544
“[F]or the viewer the question arises as to whether the wearer of a Ritchie ornament is being adorned and their personality expressed, or instead, whether the wearer’s body operates as a mobile gallery, showcasing Richie’s expressive material poetry, inviting approach and contemplation. Paradoxically, like much fine craft today, Ritchie’s work is more often seen in a pristine gallery setting or published photograph, without the modifying effects of wearer, garments, or other objects, or particular social contexts of use. While the gallery setting focuses the viewer’s attention on the works, it does not indicate the idiosyncratic and complex manner in which the jewelry will be incorporated into socia life.” (26)
“There is nothing like a Tom Cramer show. The iconic Northwest painter and sculptor heaps so much gold and silver onto his gleaming geometric compositions, it’s a wonder they aren’t bought and sold on a commodity exchange. Past shows have featured imagery inspired by trips to Indiaand Egypt, as well as waterfalls in the Columbia River Gorge, rendered with a slippery, sexualized organicism that alludes to the female body. It will be fascinating to see where Cramer takes his ever-shifting, polymorphously perverse vision this go-round. May 3-June 2″ By Richard Speer from the Willamette Week (here)
Where: Laura Russo Gallery | 805 NW 21st Ave
When: Fri, May 11th
Phone: 503 226-2754
“It’s surprising what goes well with beer: Sunny Delight, Roquefort cheese, early MTV music videos. Laidback boozers’ haven Beulahland serves up a delectable dish of the latter every Sunday night, screening a hand-picked selection of finely aged pop videos to accompany your choice of friends and drinks.” By SM from the the Portland Mercury (here)
Where: Beulahland | 118 NE 28th
When: Sundays, 9pm | Free!
Phone: 503 235-2794
“An annual tradition for Big Lebowski lovers and White Russian-starved alcoholics alike, Cinco de Lebowski—hosted by local podcasters cortandfatboy—screens the Coen brothers’ classic film, encourages Dude-approved costumes, and offers live music from Here Come Dots and Rich Layton and the Troublemakers.” By EH from the Portland Mercury (here)
Where: Bagdad Theater |3702SE Hawthorne
When: Fri, May 4th, 8pm. | $3-10
“A collaboration with the Northwest Film Center, Miracle Theatre Group, and Write Around Portland, Object Stories addresses the subtle but vital power of an object to compel a narrative and provides an interactive platform meant to transform the public’s perception of “the archive” and their relationship to it. The show includes a soundproof booth, where you can bring in a personal item to speak about, having your voice recorded and photo taken, and then have your story added to the museum’s archives.” from the the Portland Mercury (here)
Where: Portland Art Museum| 1219 SW Park
Phone: 503 226-2811
“The nature of craft is transdisciplinary; it is rooted in emerging materials, technological processes and cultural phenomena, and it is uniquely positioned to reflect new social values. Craft is not just the way we make objects. It is integral to rethinking the kinds of objects we make.”
– Leonardo Bonnani and Amanda Parkes “Virtual Guilds: Collective Intelligence and the Future of Craft” The Journal of Modern Craft, Volume 3—Issue 2, July 2010 pp. 179–19.