Irene Gallo, employee of Tor Books, takes you on a tour of the bindery. See how books are made HERE!
The Oregon College of Art and Craft (OCAC) Thesis students are putting on a group show of their own in downtown Portland, Oregon(Friday, May 18, 2012 from 6-10 pm on the corner of NW10th Avenue and Hoyt in the Pearl District).
This is a very important event for our students. Each thesis student has spent the past year creating a body of work, and this final exit show is an opportunity to display their work as an entire group, and, to a broader group visitors. You can show your support by visiting the following site (which has more details and examples of the students’ work): http://ocac2012.weebly.com
More information here: http://blog.oregonlive.com/my-portland/2012/05/ten_four_2012_ocac_exit_show_5.html
Where: Ten Four (formerly the Attic Gallery) | NW 10th Ave. and Hoyt
When: May 18th, 6 – 10pm. Runs through May 31st (11am – 7pm, Tuesday – Sunday).
Phone: 503 297-5544
Buy local and support Portland’s emerging artists at the annual Oregon College of Art and Craft Spring Art Sale. Explore the functional, inventive and sculptural ceramic, book arts and fibers pieces, as well as the affordable, limited edition original jewelry created by OCAC students.
Organized by faculty, students and alumni, the sale proceeds fund the participating student artists, visiting artists, and the purchase of studio equipment.
Admission is free and open to the public.
Where: Oregon College of Art and Craft | 8245 SW Barnes Rd.
When: Saturday and Sunday, May 19th and May 20th.
Phone: 503 297-5544
OREGON COLLEGE OF ART AND CRAFT GRADUATION COMMENCEMENT
Public Reception 2:30pm-4:30pm
The Board of Trustees of Oregon College of Art and Craft is pleased to announce commencement exercises for the graduating class of 2012 at the Jean Vollum Drawing, Painting and Photography Building on the OCAC campus.
Johanna Branson | Commencement Speaker
Johanna Branson was graduated fromWellesleyCollegewith a B.A. in art history; she received a PhD in the same field from Brown University in 1976.
Dr. Branson has published widely on modern and contemporary art. Special projects have included Seeing Through “Paradise”: Artists and the Terezin Concentration Camp, an international exhibition and catalogue; Homeland: Use and Desire, an exhibition of contemporary art from the American southwest; and essays on topics ranging from Kara Walker to Huynh Phuong Dong, a Vietcong artist and soldier.
Dr. Branson spent her professional career at the Massachusetts College of Art, first as Professor of Art History, and then as the Senior Vice President for Academic Affairs.
Dr. Branson is currently a Fellow of the National Association of Schools of Art and Design, and continues to serve as an accreditation team chair. She is also a consultant and speaker on various topics in higher education, art, and design.
Where: Oregon College of Art and Craft, Jean Vollum Drawing, Painting and Photography Building | 8245 SW Barnes Rd.
When: Saturday, May 19th, 12pm (invitation only) 2:30 – 4:30 Public Reception | Free!
Phone: 503 297-5544
“In celebration of the release of Peter Bagge’s newest comics series, RESET, Dark Horse Comics and Bridge City Comics present the 2012 Stumptown Comics Festival kickoff event — a Friday night Drink and Draw for visiting and local artists, publishers, and all festival-goers!” from (here)
Where: Bridge City Comics |3725 N Mississippi Ave
When: Fri, April 27th, 7-10pm | FREE
With more than 400 mobile eateries selling their tasty goods within our city limits, Portland has become an international destination for mobile eats. U.S. News Travel recently declared Portland to have the “world’s best street food.”
Eat Mobile showcases the food, music and people that make Portland’s food scene so special. This year, Willamette Week is proud to announce a partnership with the Oregon Museum of Science and Industry (OMSI) that will expand Eat Mobile to include food demonstrations and provide attendees with a more hands-on food experience with the Eat Mobile Culinary Science Stage.
Where: OMSI parking lot
When: Sat., April 281, 6-9:30pm | $18
This Wednesday, April 25 @ 6:30pm, Maria Elena Buszek will be giving a guest lecture for the the MFA in Applied Craft and Design Program. The event is co-sponsored with Museum of Contemporary Craft at will be held their location at 724 NW Davis Street.
Maria Elena Buszek is a scholar, critic, curator, and Associate Professor of Art History at the University of Colorado Denver, where she teaches courses on Modern and contemporary art. Her recent publications include the books, Pin-Up Grrrls: Feminism, Sexuality, Popular Culture and Extra/ordinary: Craft and contemporary art; contributions to the anthologies It’s Time for Action (There’s No Option): About Feminism, Blaze: Discourse on Art, Women, and Feminism and Contemporary Artists; catalogue essays for numerous national and international exhibitions; and articles and criticism in such journals as Art in America; Art Journal; Photography Quarterly; and TDR: The Journal of Performance Studies. She has also been a regular contributor to the popular feminist magazine BUST since 1999. www.mariabuszek.com
The MFA in Applied Craft and Design is a joint degree program offered by Oregon College of Art and Craft and Pacific Northwest College of Art.
For this week’s library pick, we’ve selected Buszek’s extraordinary publication, Extra/ordinary: Craft and contemporary art! It is a must read for anyone interested in making and issues in the contemporary art scene today.
Here is a brief description of the work from the publisher: “Contemporary artists such as Ghada Amer and Clare Twomey have gained international reputations for work that transforms ordinary craft media and processes into extraordinary conceptual art, from Amer’s monumental stitched paintings to Twomey’s large, ceramics-based installations. Despite the amount of attention that curators and gallery owners have paid to these and many other conceptual artists who incorporate craft into their work, few art critics or scholars have explored the historical or conceptual significance of craft in contemporary art. Extra/Ordinary takes up that task. Reflecting on what craft has come to mean in recent decades, artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine-art institutions understand and exhibit craft media, and offer accounts of activist crafting, or craftivism. Some contributors describe generational and institutional changes under way, while others signal new directions for scholarship, considering craft in relation to queer theory, masculinity, and science. Encompassing quilts, ceramics, letterpress books, wallpaper, and textiles, and moving from well known museums to home workshops and political protests, Extra/Ordinary is an eclectic introduction to the “craft culture” referenced and celebrated by artists promoting new ways of thinking about the role of craft in contemporary art.” (found here)
Contributors include: Elissa Auther, Anthea Black, Betty Bright, Nicole Burisch, Maria Elena Buszek, Jo Dahn, M. Anna Fariello, Betsy Greer, Andrew Jackson, Janis Jefferies, Louise Mazanti, Paula Owen, Karin E. Peterson, Lacey Jane Roberts, Kirsty Robertson, Dennis Stevens, and Margaret Wertheim.
If you haven’t come across this book already, it’s time you do so now! Especially for anyone working the fields of Art and Craft today.
Also, don’t miss her lecture at the Museum of Contemporary Craft this Wednesday!
The Oregon College of Art and Craft (OCAC) Thesis students are putting on a group show of their own in downtown Portland, Oregon (Friday, May 18, 2012 from 6-10 pm on the corner of NW 10th Avenue and Hoyt in the Pearl District)… and they need our help!
This is a very important event for our students. Each thesis student has spent the past year creating a body of work, and this final exit show is an opportunity to display their work as an entire group, and, to a broader group visitors. You can show your support by visiting the following site (which has more details): http://ocac2012.weebly.com
It’s Spring Break at OCAC, but that doesn’t mean there isn’t anything going on! This week is the last chance to visit the Hoffman Gallery and check out its current show, “Invisible Cities and Hidden Landscapes.” Don’t miss it!
“A Traveling Exhibition of Books and Book-Related Artworks
March 1-April 1, 2012
Opening reception Thursday, March 1 from 4:00-7:00PM
Devised as an opportunity to promote dialogue between teaching institutions in Britain and The United States, this exhibition investigates the medium of artists’ books. Participants were invited to submit a book of their choice or make one in response to Italo Calvino’s poetic novel “Invisible Cities”. Lecturers, alumni and students contributed to this eclectic collection featuring work from more than sixty artists.
Invisible Cities and Hidden Landscapes embraces diversity, including 3D books, altered found objects and textiles. Opening first at Coleg Sir Gar in Carmarthen in the United Kingdom in September 2011, the exhibition traveled to University of West of England, Bristol before opening here at Oregon College of Art and Craft. The exhibition concludes at Kansas State University.
This not-to-be-missed exhibition features the work of current OCAC students Melanie Brauner, Ruth Bryant, Ava Goldberg, Ruby Kapka, Michelle Latham, Erin Mickelson, Elizabeth Rank, Gwen Stronach; and almuni Rachel Fish and Sue Selby.” From (here)
In honor of this amazing exhibition, the library has selected Italo Calvino’s novel “Invisible Cities” as this week’s library pick. For such a short work, it is packed with incredible imagery. Gore Vidal has been quoted as saying: “Of all tasks, describing the contents of a book is the most difficult and in the case of a marvelous invention like Invisible Cities, perfectly irrelevant” (from The New York Review of Books). We agree with Gore Vidal. It is a book that can’t be paraphrased well, and, you’ll need to experience on your own to understand.
For those readers, who would prefer some kind of description, here’s the publisher’s description:
“Kublai Khan does not necessarily believe everything Marco Polo says when he describes the cities visited on his expeditions, but the emperor of the Tartars does continue listening to the young Venetian with greater attention and curiosity than he shows any other messenger or explorer of his.” So begins Italo Calvino’s compilation of fragmentary urban images. As Marco tells the khan about Armilla, which “has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be,” the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take” from the Publisher.
Check it out! And don’t miss your last chance to check out the amazing book arts exhibition in the Hoffman Gallery this week!