This year’s thesis class is very excited to be launching their Kickstarter campaign, which goes live tomorrow. The funds raised from the crowd-funding campaign will be used to create their show JUNCTURE, a two week exhibition of thesis work. The show will expertly showcase more than a year of hard work by the thesis class.
You can help make the show a possibility by going to their launch event.
“We will be hanging out on the top floor of the Asa Flats (1200 NW Marshall) from 5pm to 8pm TONIGHT (2/21/14). Pop in after work or before you light up the town! Have a glass of wine (or soda if that’s your thing), grab a snack and mingle with some incredible artists.”
The event will feature several monitors so that guests can view the thesis Kickstarter video. Participants can also back the event then and there by making a donation. If you can’t make it to the event itself, you can still support this very strong group of young artists by checking out the Kickstarter from home. Visit their site ocacthesis2014.tumblr.com for more details.
As a proud member of OCAC and the library, I can say that thesis work is crucial to the development of these artists. The process of writing a scholarly thesis prepares these individuals for life outside of art school. It challenges them to think critically of art and provides them with valuable skills they can take with them into life. Here at the library we work everyday with thesis students. We see their dedication, hard work, and enthusiasm. We support them everyday in their research endeavors and we ask that you support them as they build this show.
Well this week the library has been working busily. Our librarian Elsa has been purchasing this year’s new books and they have begun to trickle in. We are so excited to welcome roughly 150 new books to our collection.
The addition of new books also means that some books will be weeded out and will be available for students, faculty and staff to utilize in their crafts around the campus (Waste Not!). This year we have decided to weed out some old periodicals, or magazines, from the library. While some magazines lose relevance to the cirriculum at OCAC, they can still be used to inspire new student work, explore older craft technique, or reexamine past political and cultural statements within art. While it is always sad to remove materials from the library, we are very pleased that they can go to students and be put to good use. We are hoping that this will also make room for new subscriptions that our library community can really get excited about.
This Valentine’s day, come fall in love with one of our books. Be it old or new.
“Simon Peers explains the spectacle before us. ‘If we hadn’t made this permanent, this silk would be webs in the wind. That’s part of the magic. Something so ephemeral and yet somehow we’ve managed to capture it.'” (24)
The Oregon College of Art and Craft (OCAC) Thesis students are putting on a group show of their own in downtown Portland, Oregon(Friday, May 18, 2012 from 6-10 pm on the corner of NW10th Avenue and Hoyt in the Pearl District).
This is a very important event for our students. Each thesis student has spent the past year creating a body of work, and this final exit show is an opportunity to display their work as an entire group, and, to a broader group visitors. You can show your support by visiting the following site (which has more details and examples of the students’ work): http://ocac2012.weebly.com
More information here: http://blog.oregonlive.com/my-portland/2012/05/ten_four_2012_ocac_exit_show_5.html
Where: Ten Four (formerly the Attic Gallery) | NW 10th Ave. and Hoyt
When: May 18th, 6 – 10pm. Runs through May 31st (11am – 7pm, Tuesday – Sunday).
Phone: 503 297-5544
Buy local and support Portland’s emerging artists at the annual Oregon College of Art and Craft Spring Art Sale. Explore the functional, inventive and sculptural ceramic, book arts and fibers pieces, as well as the affordable, limited edition original jewelry created by OCAC students.
Organized by faculty, students and alumni, the sale proceeds fund the participating student artists, visiting artists, and the purchase of studio equipment.
Admission is free and open to the public.
Where: Oregon College of Art and Craft | 8245 SW Barnes Rd.
When: Saturday and Sunday, May 19th and May 20th.
Phone: 503 297-5544
OREGON COLLEGE OF ART AND CRAFT GRADUATION COMMENCEMENT
Public Reception 2:30pm-4:30pm
The Board of Trustees of Oregon College of Art and Craft is pleased to announce commencement exercises for the graduating class of 2012 at the Jean Vollum Drawing, Painting and Photography Building on the OCAC campus.
Johanna Branson | Commencement Speaker
Johanna Branson was graduated fromWellesleyCollegewith a B.A. in art history; she received a PhD in the same field from Brown University in 1976.
Dr. Branson has published widely on modern and contemporary art. Special projects have included Seeing Through “Paradise”: Artists and the Terezin Concentration Camp, an international exhibition and catalogue; Homeland: Use and Desire, an exhibition of contemporary art from the American southwest; and essays on topics ranging from Kara Walker to Huynh Phuong Dong, a Vietcong artist and soldier.
Dr. Branson spent her professional career at the Massachusetts College of Art, first as Professor of Art History, and then as the Senior Vice President for Academic Affairs.
Dr. Branson is currently a Fellow of the National Association of Schools of Art and Design, and continues to serve as an accreditation team chair. She is also a consultant and speaker on various topics in higher education, art, and design.
Where: Oregon College of Art and Craft, Jean Vollum Drawing, Painting and Photography Building | 8245 SW Barnes Rd.
When: Saturday, May 19th, 12pm (invitation only) 2:30 – 4:30 Public Reception | Free!
Phone: 503 297-5544
“[F]or the viewer the question arises as to whether the wearer of a Ritchie ornament is being adorned and their personality expressed, or instead, whether the wearer’s body operates as a mobile gallery, showcasing Richie’s expressive material poetry, inviting approach and contemplation. Paradoxically, like much fine craft today, Ritchie’s work is more often seen in a pristine gallery setting or published photograph, without the modifying effects of wearer, garments, or other objects, or particular social contexts of use. While the gallery setting focuses the viewer’s attention on the works, it does not indicate the idiosyncratic and complex manner in which the jewelry will be incorporated into socia life.” (26)