Good Reads

As a library, I think it is important to advertise avenues for book lovers. If you like books and you like libraries then you have probably already heard of good reads. In case you haven’t, this is our Christmas gift to you. Enjoy!

Good Reads is an online social platform for people to share and build book lists. It is one of the worlds largest sites for book recommendations and book lists. The site allows you to build book wish lists and reading lists, as well as keep tabs on books you’re in the process of reading. You can look at specific genres you are interested in reading, collaborate in book clubs. You can even choose to judge a book by its cover if you wish and search one of the many image based lists (including “Best cover of all time”, “Breathtaking book covers” or “Horrible covers”). Good Reads even has a focus for academic life or the art world. Here is a book list for some of OCAC’s craft departments. Check them out. If you find a book you really like, please come into the library and we will try to track it down for you.

Book Arts: Not represented, create one!

Ceramics:
https://www.goodreads.com/list/show/1211.Best_books_on_Ceramic_Arts

Drawing:
https://www.goodreads.com/list/show/42202.Art_Books_for_Serious_Students
https://www.goodreads.com/list/show/22555.The_Art_of_Animation

Fibers:
https://www.goodreads.com/list/show/9483.Fiction_for_the_Fiber_Artist
https://www.goodreads.com/list/show/2369.Garment_and_Textile
https://www.goodreads.com/list/show/16346.Best_Practical_Historic_Costuming_Books

General:
https://www.goodreads.com/list/show/28962.Books_for_Wildlife_Artists
https://www.goodreads.com/list/show/13574.Artist_Biographies
https://www.goodreads.com/list/show/27517.Art_themed_novels

Metals:
https://www.goodreads.com/list/show/24918.Best_Jewelry_and_Metalsmithing_Books

Painting:
https://www.goodreads.com/list/show/7620.In_a_Painter_s_Studio

Photo:
https://www.goodreads.com/list/show/15034.Photo_Comics
https://www.goodreads.com/list/show/9316.Photographer_s_Education

Wood: Not represented, make your own list!

Simon Peers quote: “If we hadn’t made this permanent …”

[Byline: The Golden Spider Silk at the V&A showcases the world's largest pieces of cloth made entirely from spider silk].

“Simon Peers explains the spectacle before us. ‘If we hadn’t made this permanent, this silk would be webs in the wind. That’s part of the magic. Something so ephemeral and yet somehow we’ve managed to capture it.’” (24)

Jones, Denna. “World Wide Web.” Embroidery. May | June, 2012. pgs 24 – 27.

Things to do in Portland this weekend: (05/18/12 – 05/20/12) “Thesis Exhibition opening reception at the Ten Four gallery & Annual Spring Art Sale at OCAC & Oregon College of Art and Craft Graduation Commencement”

THESIS EXHIBITION OPENING RECEPTION AT THE TEN FOUR GALLERY

The Oregon College of Art and Craft (OCAC) Thesis students are putting on a group show of their own in downtown Portland, Oregon(Friday, May 18, 2012 from 6-10 pm on the corner of NW10th Avenue and Hoyt in the Pearl District).

This is a very important event for our students. Each thesis student has spent the past year creating a body of work, and this final exit show is an opportunity to display their work as an entire group, and, to a broader group visitors. You can show your support by visiting the following site (which has more details and examples of the students’ work): http://ocac2012.weebly.com

More information here: http://blog.oregonlive.com/my-portland/2012/05/ten_four_2012_ocac_exit_show_5.html

Where:  Ten Four (formerly the Attic Gallery) | NW 10th Ave. and Hoyt

When:   May 18th, 6 – 10pm. Runs through May 31st (11am – 7pm, Tuesday – Sunday).

Phone: 503 297-5544

 

ANNUAL SPRING ART SALE AT OCAC

Buy local and support Portland’s emerging artists at the annual Oregon College of Art and Craft Spring Art Sale. Explore the functional, inventive and sculptural ceramic, book arts and fibers pieces, as well as the affordable, limited edition original jewelry created by OCAC students.

Organized by faculty, students and alumni, the sale proceeds fund the participating student artists, visiting artists, and the purchase of studio equipment.

Admission is free and open to the public.

Where: Oregon College of Art and Craft | 8245 SW Barnes Rd.

When:   Saturday and Sunday, May 19th  and May 20th.

Phone: 503 297-5544

Website: http://ocac.edu/#/events/calendar/2012-may19-annual-spring-art-sale/

 

OREGON COLLEGE OF ART AND CRAFT GRADUATION COMMENCEMENT

Public Reception 2:30pm-4:30pm

The Board of Trustees of Oregon College of Art and Craft is pleased to announce commencement exercises for the graduating class of 2012 at the Jean Vollum Drawing, Painting and Photography Building on the OCAC campus.

Johanna Branson | Commencement Speaker

Johanna Branson was graduated fromWellesleyCollegewith a B.A. in art history; she received a PhD in the same field from Brown University in 1976.

Dr. Branson has published widely on modern and contemporary art. Special projects have included Seeing Through “Paradise”: Artists and the Terezin Concentration Camp, an international exhibition and catalogue; Homeland: Use and Desire, an exhibition of contemporary art from the American southwest; and essays on topics ranging from Kara Walker to Huynh Phuong Dong, a Vietcong artist and soldier.

Dr. Branson spent her professional career at the Massachusetts College of Art, first as Professor of Art History, and then as the Senior Vice President for Academic Affairs.

Dr. Branson is currently a Fellow of the National Association of Schools of Art and Design, and continues to serve as an accreditation team chair. She is also a consultant and speaker on various topics in higher education, art, and design.

Where: Oregon College of Art and Craft, Jean Vollum Drawing, Painting and Photography Building | 8245 SW Barnes Rd.

When: Saturday, May 19th, 12pm (invitation only) 2:30 – 4:30 Public Reception | Free!

Phone: 503 297-5544

Website: http://ocac.edu/#/events/calendar/2012-may19-commencement-2012/

 

Wendy Landry quote on Pamela Ritchie’s jewelry: “for the viewer, the question arises …”

“[F]or the viewer the question arises as to whether the wearer of a Ritchie ornament is being adorned and their personality expressed, or instead, whether the wearer’s body operates as a mobile gallery, showcasing Richie’s expressive material poetry, inviting approach and contemplation. Paradoxically, like much fine craft today, Ritchie’s work is more often seen in a pristine gallery setting or published photograph, without the modifying effects of wearer, garments, or other objects, or particular social contexts of use. While the gallery setting focuses the viewer’s attention on the works, it does not indicate the idiosyncratic and complex manner in which the jewelry will be incorporated into socia life.” (26)

Landry, Wendy. “Pamela Ritchie: Nova Scotia’s Intellectual Gem.” Metalsmith. Vol.32, No.2, 2012. pg 22-31

Things to do in Portland this weekend: (05/11/12 – 05/13/12) “Tom Cramer & The Original Eye Candy Video Night”

TOM CRAMER : NEW WORK

“There is nothing like a Tom Cramer show. The iconic Northwest painter and sculptor heaps so much gold and silver onto his gleaming geometric compositions, it’s a wonder they aren’t bought and sold on a commodity exchange. Past shows have featured imagery inspired by trips to Indiaand Egypt, as well as waterfalls in the Columbia River Gorge, rendered with a slippery, sexualized organicism that alludes to the female body. It will be fascinating to see where Cramer takes his ever-shifting, polymorphously perverse vision this go-round. May 3-June 2″ By Richard Speer from the Willamette Week  (here)

Where:  Laura Russo Gallery | 805 NW 21st Ave

When:   Fri, May 11th

Phone: 503 226-2754

Website: http://www.laurarusso.com/

 

THE ORIGINAL EYE CANDY VIDEO NIGHT: VJ NORT, THE PHANTOM HILLBILLY

“It’s surprising what goes well with beer: Sunny Delight, Roquefort cheese, early MTV music videos. Laidback boozers’ haven Beulahland serves up a delectable dish of the latter every Sunday night, screening a hand-picked selection of finely aged pop videos to accompany your choice of friends and drinks.” By SM from the the Portland Mercury (here)

Where: Beulahland | 118 NE 28th

When: Sundays, 9pm | Free!

Phone: 503 235-2794

Website: www.beulahlandpdx.com

Andre Woodward Quote: “My work is definitely time-based. There are about three different…”

Michael Amy: Your work is also about time.

Andre Woodward: My work is definitely time-based. There are about three different timelines going on in each piece. The tree grows. In the sound pieces, you need to consider the duration of the soundtrack, and in the pieces that incorporate lighting systems, you have that time going on as well. And then you have the time during which you are interacting with the work. I produce sculptural work because, with sculpture, there is you and the piece. There is not a flat divide—you and the piece occupy the same space. Once you realize that the sculpture is alive, something happens. You start to be sympathetic to the life-force. It isn’t merely an object. It’s a living thing. (29)

Amy, Michael. “A Living Thing Shouldn’t Be There: a Conversation with Andre Woodward.” Sculpture. Vol. 31, No. 4, May, 2012. pgs 26- 33.

55. “The Everyday” edited by Stephen Johnstone.

There will be a First Thursday opening reception this Thursday, May 3rd, from 6-8:30pm, for Heidi Schwegler‘s new body of work, The Known World–a suite of objects, images, and videos–at the Chambers@916 gallery. Here’s a little background for the show from her Artist Statement:

“For the past two years, Heidi Schwegler positioned herself as a tourist in China, Iceland, Argentinaand Southern California. In exploring each environment, she became sensitive to the notion of perceptual blindness, a phenomenon which makes it difficult to understand what one sees in an environment that is very disconnected from the familiar, which can feel very alienating. To ground herself, she sought patterns in the unnoticed and discarded objects that exist on the periphery, rather than the spectacle of tourist attractions. Objects and situations that are normally overlooked, like a discarded mattress or duct tape holding down a mannequin, became instantly evocative. These experiences ultimately became the springboard for this body of work, which speaks of what is known but no longer seen.” From (here)

We are extremely excited to see this show! Last October, Heidi Schwegler started off OCAC’s lunch-time talk series with an amazing presentation about her sabbatical and artist residencies.  Most of her presentation covered her explorations and revelations about art and the everyday, and, while we did see some of the objects that she had made (which again were amazing!), there wasn’t enough time to talk about her whole body of work that came out of this period. Fortunately, we have that opportunity starting this Thursday! Don’t miss it!

The show will run through June 23, 2012.

Staying on this theme of the “everyday,” the library pick for this week is The Everyday edited by Stephen Johnstone. It would be an excellent book to check out to prepare for Schwegler’s show in order contextualize her work with respect to the ongoing collective discussion around the concept of the everyday that has been going on for well over half a century. Or, perhaps your interest might be peaked about it upon seeing The Known World.

According to the Publisher, this collection of essays, excerpts, and other writings tracks the “range of contemporary art engaged with the everyday and its antecedents in the work of Surrealists, Situationists, the Fluxus group, and conceptual and feminist artists of the 1960s and 1970s. This art shows a recognition of ordinary dignity or the accidentally miraculous, an engagement with a new kind of anthropology, an immersion in the pleasures of popular culture, or a meditation on what happens when nothing happens. The celebration of the everyday has oppositional and dissident overtones, offering a voice to the silenced and proposing possibilities for change “(from here).

Check it out!